"God Bless the Dream, the Dreamer and the Result." 

FaithWalk Clothing by William Renae

In today's world and in times past collaboration and partnering has been an instrumental strategy.  Partnering helps us to grow, learn, change and exchange ideas.  Even the Bible endorses partnering based on the scripture that says, "Where two or three are gathered, I am there."

I want to introduce to you a mother/son partnership, which currently launched a new clothing line.  The clothing line is called FaithWalk. The new line is created to encourage others to save themselves and to take control of their own destiny.

Renae Parker Benenson is a Mom, certified Chaplin (spiritual listener and encourager), writer and co-founder of FaithWalk.  William Marshall Parker II is a Son, entrepreneur, writer and co-founder of FaithWalk.  Together they compliment each other and have found support for their individual and collective growth and development.

They started FaithWalk because they get it.  They have figured out that their life is to get better spiritually, emotionally, financially, intellectually and physically it will be because they have prayed to God and believe that the Creator will equip them for the journey and fill them with unfathomable power to be and to do more than they can ever imagine.

Monday, July 6, 2009

Journey's 'Don't Stop' an Unlikely Phenom

By songwriting standards, Journey’s “Don’t Stop Believin’” should never have made it past No. 9, which is where it stalled on the charts when it was released in 1981. But since then, the song—which doesn’t get to its anthemic chorus until 3 minutes and 20 seconds in—has achieved cultural icon status, beloved by everyone from karaoke singers to sports fans to Kanye West, reports the Chicago Tribune.

The song’s resurgence began when it was played by a string quartet in The Wedding Singer, says Journey’s Jonathan Cain. Since then, it has been adopted by—to name just a few—the Chicago White Sox, Broadway’s Rock of Ages, and the Sopranos. Most recently, Glee used the song in its pilot, and its version debuted at No. 2 on the iTunes charts. “It’s not one of those songs you feel is too cheesy,” said Glee's producer. "You can sing to it in karaoke and not feel silly."

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