FaithWalk Clothing by William Renae
In today's world and in times past collaboration and partnering has been an instrumental strategy. Partnering helps us to grow, learn, change and exchange ideas. Even the Bible endorses partnering based on the scripture that says, "Where two or three are gathered, I am there."
I want to introduce to you a mother/son partnership, which currently launched a new clothing line. The clothing line is called FaithWalk. The new line is created to encourage others to save themselves and to take control of their own destiny.
Renae Parker Benenson is a Mom, certified Chaplin (spiritual listener and encourager), writer and co-founder of FaithWalk. William Marshall Parker II is a Son, entrepreneur, writer and co-founder of FaithWalk. Together they compliment each other and have found support for their individual and collective growth and development.
They started FaithWalk because they get it. They have figured out that their life is to get better spiritually, emotionally, financially, intellectually and physically it will be because they have prayed to God and believe that the Creator will equip them for the journey and fill them with unfathomable power to be and to do more than they can ever imagine.
Saturday, September 19, 2009
The premise of Kanye West protégé Kid Cudi’s Man on the Moon: The End of the Day is that he’s “not on the same planet as other rappers. The truth is that he’s not in the same genre,” writes Julian Benbow for the Boston Globe. The debut album “is a lot of things. It’s spacey, adventurous, and ridiculously intriguing if only because it’s so different. But it’s not rap”—more like “experimental and emotional hip-hop.” Elsewhere:
“As a man who isn’t afraid to take risks, Cudi’s collaboration with electronic duo Ratatat and indie rock’s MGMT for ‘Pursuit of Happiness’ captures the album’s most transcendent moment,” writes Edwin Ortiz for HipHopDX. “Kid Cudi is the real deal.”
“Kid Cudi has ripped off his label owner's formula—forward-thinking music meets entry-level confessional lyrics—with such shameless aplomb that you don't know whether to grin or roll your eyes,” writes Jess Harvell in the Washington Post.
Kid Cudi “emerged in the past year as hip-hop’s unlikeliest relief pitcher” for West and Jay-Z, but his debut “is a colossal, and mystifying, missed opportunity, misguided if it is in fact guided at all,” writes Jon Caramanica in the New York Times.