FaithWalk Clothing by William Renae
In today's world and in times past collaboration and partnering has been an instrumental strategy. Partnering helps us to grow, learn, change and exchange ideas. Even the Bible endorses partnering based on the scripture that says, "Where two or three are gathered, I am there."
I want to introduce to you a mother/son partnership, which currently launched a new clothing line. The clothing line is called FaithWalk. The new line is created to encourage others to save themselves and to take control of their own destiny.
Renae Parker Benenson is a Mom, certified Chaplin (spiritual listener and encourager), writer and co-founder of FaithWalk. William Marshall Parker II is a Son, entrepreneur, writer and co-founder of FaithWalk. Together they compliment each other and have found support for their individual and collective growth and development.
They started FaithWalk because they get it. They have figured out that their life is to get better spiritually, emotionally, financially, intellectually and physically it will be because they have prayed to God and believe that the Creator will equip them for the journey and fill them with unfathomable power to be and to do more than they can ever imagine.
Saturday, December 26, 2009
Women are starting to turn their backs on girly pastels, floral prints, and strappy heels in favor of a more aggressive, tough-but-sexy look. “It’s not cool to be demure,” one stylist, who prefers big T-shirts over ripped jeans, tells the New York Times. The trend toward a more utilitarian look is partially a response to the struggling economy: “So-called luxury—people are tired of it,” says a boutique owner.
Out are skin-baring style icons like Scarlett Johansson and Megan Fox; in are blazers, boots, biker jackets, leggings, and the often-disheveled look of editors like Carine Roitfeld and Giovanna Battaglia: “They show you a real-world version of high fashion. They’re not dressed by a stylist, and sophisticated people recognize that,” says a store owner. Adds the Met’s Costume Institute curator: “There is so much sex appeal in imperfection.”