"God Bless the Dream, the Dreamer and the Result." 

FaithWalk Clothing by William Renae

In today's world and in times past collaboration and partnering has been an instrumental strategy.  Partnering helps us to grow, learn, change and exchange ideas.  Even the Bible endorses partnering based on the scripture that says, "Where two or three are gathered, I am there."

I want to introduce to you a mother/son partnership, which currently launched a new clothing line.  The clothing line is called FaithWalk. The new line is created to encourage others to save themselves and to take control of their own destiny.

Renae Parker Benenson is a Mom, certified Chaplin (spiritual listener and encourager), writer and co-founder of FaithWalk.  William Marshall Parker II is a Son, entrepreneur, writer and co-founder of FaithWalk.  Together they compliment each other and have found support for their individual and collective growth and development.

They started FaithWalk because they get it.  They have figured out that their life is to get better spiritually, emotionally, financially, intellectually and physically it will be because they have prayed to God and believe that the Creator will equip them for the journey and fill them with unfathomable power to be and to do more than they can ever imagine.

Saturday, January 17, 2009

Art World Still Divided on Wyeth

Andrew Wyeth divided the art community throughout his life, and little seems to have changed with his passing yesterday. While many in the field call him one of the most important 20th-century American artists, others insist his mode of realism makes him more of an illustrator than a serious painter, the New York Times reports, and his work "corny Americana." Those critics see his most famous painting, “Christina’s World,” as simply a “mandatory dorm room poster.”

Early in his career, Wyeth was considered edgy—but the appearance of abstract expressionist artists like Jackson Pollock changed the playing field. Art “politics” played a role, says one expert, as critics began to demand that “only contemporary abstraction be recognized as a viable language for the postwar era.” Still, says another, “I think we are now all grown up enough to realize that there are many roads to modern art, and not just one channel.

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